I had always been a “crafty" person and had designed other craft projects in the past. When I started knitting, it was like finding out I’d always been an artist, yet for the first time, I had just discovered the true medium with which I was supposed to be working in all along. It was a revelation for me for sure.
4) What inspired you to design Riverton?
The front page of the Riverton pattern says…
When the “Japanese Knitting Stitch Bible; 260 Exquisite Patterns by Hitomi Shida” was released in 2017, I could not wait to design a shawl with these perfectly delicate stitch designs. Looking through the book was like looking through a coffee table art book, it was simply stunning. It didn’t take me long to start swatching! A collaboration with Anzula Luxury Fibers, Riverton is my first exploration into using Japanese stitch patterns and variations to create an exquisite rectangular shawl with timeless movement and fluidity.
I knew the second I opened up the book that I would be playing around with and designing pieces using these incredible stitch patterns. Mom and I had the book on pre-order for 5 or 6 months. When it arrived in the mail it was like Christmas. We each used different colored post its to mark our immediate favorites we knew we would want to play with. The pattern used in the body of Riverton was one of the first patterns I marked. The the stitch pattern used along the long sides of the shawl is generally intended for work that isn’t heavily blocked. I wondered what it would be like to take that pattern, use it, then block the daylights out of it and see what happens. I loved what I saw as it made a perfect edging. You get a whole different level of results when you take a stitch pattern intended for a sweater or something that won’t really be blocked and use it in lace. I love it!
When I contacted Anzula and asked if they wanted to collaborate they were excited to do so and asked me to work with their Lunaris base. I chose the color Frankie because I LOVE mossy, yellowy greens. And the Lunaris base has a bit of stellina in it which made it all that much better. I hadn’t yet designed anything with stellina so I was very excited. When they sent me the yarn I almost couldnt believe just how beautiful it was1 The color easily mimicked the moss and leaves you might see along the side of a little river or brook somewhere in the mountains. Turning to the book, one of the first patterns I marked was the one I knew was perfect for this design and this yarn. Riverton is intended to mimic flowing water and the stellina really adds to this affect beautifully by looking like sparkling water. The marriage of yarn and design were perfect to me. I hope others like it too!
5) Do you do other fiber crafts?
Oddly enough, not really. Knitting and designing is where its at for me! I have done some bead work in the past but thats about it.
6) What lead you to start designing?
My mother had the complete set of Barbara Walkers "Treasury of Knitting Patterns” and I remember going thru the first one completely wide eyed and in complete awe shortly after I started knitting. I remember saying to my Mom…”you mean you can put this…with this…and this…and design your own piece?” And she looked at me and said “absolutely! You can do whatever you want with them!” The first book in that series sparked something in me. The book is blue and has an AMAZING pattern on the front cover. I’ll never forget that feeling of realizing I could literally do whatever I wanted with design.
Fast forward a couple years to 2011. After a few years of knitting and posting pictures of finished objects on Facebook I was approached by a friend of mine I went to HS who wanted me to knit a shawl for her and was more than willing to pay a good price for my work. I had been toying around with the idea of starting to design my own patterns but just hadn’t done anything about it yet. My friend Tameron wanted an intricate lace shawl. I knew I could not rightfully take someone else's pattern, knit it up and then turn around and charge my friend hundreds of dollars for this as it is against most designers copyright to do so. I took the opportunity to design something for her, and for me, for the first time. For this first design, I looked back on the moment I discovered Barbara Walkers "Treasury of Knitting Patterns.” Especially that first book. As sort of ode to Barbara Walker in thanks of what I now knew I could do, I choose the patterns on the cover of the first book to be my first major design element. Little did I know then that this pattern would be, and still is to date, the most difficult pattern in my collection. Knit in 100% cashmere, I used the frost flowers pattern as the body of the shawl, then added long side edges and a knitted on border and she was done. I was beyond proud of this design. I wanted to thank my friend for kick starting me into design so I named the shawl after her. This is Tameron, my very first design from 2011...