Meet the Yarn: Squishy

Jill Wolcott
passion.fashion.knits

Squishy in 1 Red Shoe

Squishy in 1 Red Shoe

I left TNNA in late January with a lot of skeins of Anzula Luxury Yarns.  I had a list of what I needed for my 2018 yarn reviews, so I chose colors and checked things off my list.  Somehow I also convinced myself that I needed an extra Squishy.  I loved it so much in Endora (for the review) and 1 Red Shoe, that I took both, knowing I would make something for myself from the 1 Red Shoe.

If you haven’t tried Squishy, I would move this one to the top of your list.  It is the yarn featured in the Anzula kits to be offered to local yarn stores for Local Yarn Store day.  This is clearly a Ravelry favorite with over 3300 projects and yarn in over 3200 stashes.  I got curious about that stash number, so I looked more closely (my numbers are approximate).

  • 6 pages of Traded/sold/gifted
  • 12 pages of All used up
  • 107 pages of In stash (not for sale)
  • 3 pages Will trade or sell

Exploration - Blocked, Jill Wolcott

I began my Squishy research without my usual exploration swatch because I was creating a project for an Anzula kit and time was short. I dove right into the swatch for that project, which was based on a shawlette I’d done for myself in a plant-fiber yarn. I did a swatch, the knitter did a swatch, and that project got going.  The shawlette project is done on US size 3 (3.25mm) for the 2x2 Rib Collar and the Drape (body) is done using a US size 8 (4.5mm).  

Blocked Savoie Swatch, Jill Wolcott

Then I went back to my exploration swatching.  For that I used US size 3 (3.25mm) needles.  After washing, drying, and steam blocking my exploration swatch, I decided to weight the garter section for 24 hours because the garter was quite stretched out after washing and drying.  I was able to use the steam blocking to get it back into shape, but then I worried about whether it would stretch out again.  So let's look at the numbers.

Squishy Stitch Pattern Table, Jill Wolcott

Complete Exploration, Jill Wolcott

By the time I got to my exploration swatch the yarn I used had been wet blocked, steamed, then frogged. Then the yarn was wet blocked and steamed.  I knit, and frogged again, and did my swatch without more blocking.  The blocked swatch from the yarn that took all that use is just as lovely as the one knitted from the fresh skein.  The photo of the unblocked swatch shows it was not in perfect shape when I knitted it.  Frogging has so many learning opportunities and I love knowing that a yarn stands up well to a little exploration.  I do not hesitate to reuse yarn!

Seeded Chevron, Jill Wolcott

Squishy is an affordable luxury yarn.  It will stand up to use, and makes yummy projects.  It is a joy to knit and works in seemingly anything.

Ravelry Projects

There are so many!  I got through about one third of the pages.  This is a nice representation of what you can do with Squishy—which is almost anything.

  1. Wonder Woman Wrap (3 colors) 
    https://www.ravelry.com/projects/FishWithSticks/wonder-woman-wrap-knit
  2. Verdon (color block shawl/4 skeins)
    https://www.ravelry.com/projects/aladner/verdon
  3. Celtic Climbers (sock/1 skein)
    https://www.ravelry.com/projects/mnelder/celtic-climbers
  4. Ravello (pullover/4 skeins)
    https://www.ravelry.com/projects/sockfiend/ravello
  5. Twisted Tracks (pullover/4 skeins)  
    https://www.ravelry.com/projects/KayGee64/twisted-tracks
  6. Breathing Space (pullover/1 skein/also uses Cloud)
    https://www.ravelry.com/projects/Sit-N-Spin/breathing-space
  7. Close to You (1 skein)  
    https://www.ravelry.com/projects/mishmash/close-to-you
  8. Vintage Prim hat  
    https://www.ravelry.com/projects/emilyconnell/vintage-prim
  9. Misty Lily (baby set/1 skein)  
    https://www.ravelry.com/projects/Laephi/misty-lily
  10. Loasa Latieritia (sock/1 skein) 
    https://www.ravelry.com/projects/dwolverton/loasa-lateritia-sock
  11. Shetland Shorty (cropped /1.25 skeins)
    https://www.ravelry.com/projects/sharkfoot00/shetland-shorty
  12. Netty Cowl (3 skeins) 
    https://www.ravelry.com/projects/Ozette/netty-cowl
  13. Banyan Tree Scarf (1 skein) 
    https://www.ravelry.com/projects/marthajane73/banyan-tree-practice-dishcloth-afghan-square-block-4
  14. Copilot Cowl (the kitty!/1 skein)
    https://www.ravelry.com/projects/kittyknitty/copilot

Shops where Savoie will be available for Local Yarn Store Day:

Savoie Shawl by Jill Wolcott

Ewe Knit It
eweknitit@midco.net
South Dakota

Hook a Frog
hookafrog@gmail.com
Alabama

Knitique
knitique@gmail.com
California

Personal Threads
Joe@personalthreads.com
Nebraska

Tinsmith's Wife
tinsmithwife@hctc.net
Texas


Meet the Yarn: Milky Way, Part 2

Milky Way

80% Milk Protein, 20% Superwash Merino
+/- 500 yd / 457 m
8.5-9 sts / in US #1

Milky Way in Au Natural

Jill introduced Milky Way last May. In this post, I'll investigate how it behaves with a crochet hook.

What is Milky Way? It's categorized as a light fingering weight; Anzula creates skeins that are generous, about 500 yards (114g)! The fiber composition is 80% Milk Protein, 20% Super-wash Merino and it's a multi (four)-ply yarn.

This is also the first Anzula yarn I began to work with, so it is my favourite. Ok, one of my favourites--in truth I love them all. When I first saw it I knew it begged for a crochet hook. I enjoy knitting with it, but I think this yarn really shines in crochet.

While the milk protein creates quite a bit of grab when worked up, I found this yarn can be prone to more slipping than I expected. Yes, hand winding 500 yards sounds tedious, however I now recommend it. Why? I often mistreat my working yarn and it gets tossed in a project bag and while protected, those bags often get shoved into other bags. That can very quickly create a tangled mess that I've found doesn't happen with hand-wound balls. This is, in my opinion, a feature of the yarn and once I knew to work with it I no longer ran into issues. I'll post a photo of that further down in the post. It's not pretty (or fun to untangle).

The four plies of this yarn can split, but I found I was less likely to cause this with a pointed hook than a rounder one. I can attest that you can work and rework and rework the yarn again. I have a design I've been working on for almost five years that has survived a significant amount of ripping and do-overs.

What is this yarn good for? Any project where you want beautiful drape. Should you measure hanging gauge for this yarn? This will change depending on many factors from your basic gauge and stitch pattern to the construction of your project. If you are concerned, then I urge you to measure your swatch! I plan to cover a comparison of hanging gauges for different yarns in a future post (I need to figure out how to photograph them). With the high percentage of inelastic milk protein, if you are expecting ribbing to behave, I would call in some supplemental elastic to reinforce it.

I love this yarn in a half double crochet; that's my default crochet stitch though it's also lovely in both single and double crochet. It creates beautiful drape at 5 spi in single crochet. I love how the yarn takes the dye and works into crochet stitches. How does a simple crochet stitch compare to a knit swatch? I have a certain reputation as a "tiny knitter" and couldn't resist working it up on 2mm needles creating a stockinette fabric of 9 SPI. Wow. It's lovely, and the drape is amazing at this gauge.

Knit and crochet swatches of Milky Way in simple stitches: stockinette, garter stitch, single, half-double, and double crochet.

Knit and crochet swatches of Milky Way in simple stitches: stockinette, garter stitch, single, half-double, and double crochet.

How is this in a tried and true granny square? It pops next to garter stitch. I worried the motif would be flat and lifeless. It isn't. Do be careful when trimming yarn ends after working them in, I almost nipped the motif and the wayward ends want to be in the photos.

Milky Way granny square swatch next to garter stitch.

Milky Way granny square swatch next to garter stitch.

When I created my texture swatch I discovered a new love. Because this is a light fingering weight you can play with textured stitches that otherwise might add unwanted bulk or warmth to a project. I know this will create lovely garments and accessories.

Milky Way crochet texture swatch.

Milky Way crochet texture swatch.

This simple lace surprised me. This is the swatch where I had some issues with split stitches and a hook switch solved my problem. While this swatch is unimaginative, upon blocking my apathy to this particular swatch grew into adoration. I think it would be great for transitional and warm weather wear. The merino adds a hint of warmth without being overbearing.

Net stitch in Anzula Milky Way.

Net stitch in Anzula Milky Way.

The slight issue with my slippery yet sticky yarn? Here's a nice picture of a mistreated yarn cake. I found if I wasn't paying attention to my work area and some cat fur wound its way in, the result was super sticky stitches.

A Milky Way yarn cake that had a minor mishap.

A Milky Way yarn cake that had a minor mishap.

To end on a positive note, in addition to a baby/child cardigan that I hope to finalize and publish soon, based on the work in writing this post I now have sketches for accessories in textured and laces stitches. I'll try to release them soon!

Pile of Anzula Milky Way swatches.

Pile of Anzula Milky Way swatches.

All Milky Way swatches were worked in the Seaside colorway.

Meet the Designer: Claudia Donnelly

Claudia Donnelly
claudiadonnellydesigns.blogspot.com

Claudia Donnelly just released her newest pattern, Riverton, in Anzula Lunaris in Frankie. Cue gratuitous pattern pictures!

Riverton by Claudia Donnelly

Riverton by Claudia Donnelly

Riverton by Claudia Donnelly

Riverton by Claudia Donnelly

Riverton by Claudia Donnelly

Isn't it just beautiful? We thought it was a good time to spend a little time getting to know her! We hope you'll enjoy our chat. (If you like cats or yarny tattoos, I recommend reading to the end).

1) How did you discover Anzula Yarns?

I was in Columbus, Ohio for my 25th HS Reunion in October of 2015 and had set up a time to do a trunk show at “Yarn It & Haberdashery” yarnitanddash.com  in Grandview, OH while I was there. It was at Esther Hall’s lovely shop that I discovered your yarn. She had lots of it there and well, some of it had to come home with me! With red (in every shade) my favorite color, this was what came home with me!!

Anzula Dreamy in Madam, Claudia Donnelly

Anzula Dreamy in Madam, Claudia Donnelly

2) When did you start knitting? How did you learn?

I grew up in a house where fiber was everywhere in just about every form. My mother was a knitter, spinner, and natural dyer. Even though I grew up surrounded by fiber, the knitting bug didn’t bite me until much much later in my life. When I moved to Albuquerque, NM from Tucson, AZ in June of 2008 I approached my Mom about teaching me how to knit. I had been hearing about the groups of women that she knit with on a regular basis and the incredible friendships she had built that had helped her through good times and bad (the sudden death of my only brother) and I really wanted to be a part of that. I knew nothing about how to knit but I knew it was something I wanted to share with my Mother. I wanted to have something that she and I could do together. 

3) What was your first project? (bonus points if you have pictures)

My first project was a scarf. Mom and I decided on a scarf because it was a small project I was certain I could achieve success with. Mom gave me some of her lovely hand spun yarn, and she cast on my stitches for me on a set of Brittany Straight Needles (which were incorporated into my knitting tattoo that I would get years later). Mom taught me the knit stitch. I practiced it over and over again with her until I was certain I had it right. Mom told me “just do this over and over again. Don’t worry about trying to purl right now. Just practice the knit stitch.” My Aunt Betty was there at the time and unbeknownst to my Mom, she slipped me a beginners knitting book. When I got home that knit I continued knitting, just using the knit stitch. I didn’t even know the term “garter stitch” yet, even though thats exactly what I was doing. I woke the next morning and all I wanted to do was knit. I couldn't remember the last time something had this kind of hold on me, but I was drawn to it like nothing else before. I picked up my knitting  to continue the knit stitch but I found that I was quickly getting bored of this stitch. I opened the book that my Aunt Betty gave me and taught myself how to purl. Now things were cool! I had two stitches I could do! My mind instantly went to…”what if I combined these stitches in a way that makes a cool design?” I called my Mom (this was day 2) and told her I needed more yarn and a couple different colors if possible. She quickly brought it over to my apartment and didn’t ask any questions. I ripped out the knitting that I had done back to the cast on. I had no idea how to cast on so that had to stay put. I quickly put a design together in my head and tracked it on post it notes. I didn’t know it at the time but what I was making was a basketweave scarf with alternating colors for each row. I didn’t know how to properly join yarn or change colors so I completely winged it and it worked. I had this idea that I didn’t want the first thing I knit to be something I couldn’t actually wear. I wanted it to be something I could be really proud of. It didn’t occur to me until years later, when I started designing, that what I had done from the very beginning was design my own work. Designing for me was a very natural course of progression for me. It was in my mind from the very first thing I knit that I really liked the freedom of doing my own thing. Putting this with that and seeing what I would get from it was something that really appealed to me. It certainly did with my first project! Here is a picture of my very first knitting project…

First Project by Claudia Donnelly

I had always been a “crafty" person and had designed other craft projects in the past. When I started knitting, it was like finding out I’d always been an artist, yet for the first time, I had just discovered the true medium with which I was supposed to be working in all along. It was a revelation for me for sure.

4) What inspired you to design Riverton?

The front page of the Riverton pattern says…

When the “Japanese Knitting Stitch Bible; 260 Exquisite Patterns by Hitomi Shida” was released in 2017, I could not wait to design a shawl with these perfectly delicate stitch designs. Looking through the book was like looking through a coffee table art book, it was simply stunning. It didn’t take me long to start swatching! A collaboration with Anzula Luxury Fibers, Riverton is my first exploration into using Japanese stitch patterns and variations to create an exquisite rectangular shawl with timeless movement and fluidity.

I knew the second I opened up the book that I would be playing around with and designing pieces using these incredible stitch patterns. Mom and I  had the book on pre-order for 5 or 6 months. When it arrived in the mail it was like Christmas. We each used different colored post its to mark our immediate favorites we knew we would want to play with. The pattern used in the body of Riverton was one of the first patterns I marked. The the stitch pattern used along the long sides of the shawl is generally intended for work that isn’t heavily blocked. I wondered what it would be like to take that pattern, use it, then block the daylights out of it and see what happens. I loved what I  saw as it made a perfect edging. You get a whole different level of results when you take a stitch pattern intended for a sweater or something that won’t really be blocked and use it in lace. I love it! 

When I contacted Anzula and asked if they wanted to collaborate they were excited to do so and asked me to work with their Lunaris base. I chose the color Frankie because I LOVE mossy, yellowy greens. And the Lunaris base has a bit of stellina in it which made it all that much better. I hadn’t yet designed anything with stellina  so I was very excited. When they sent me the yarn I almost couldnt believe just how beautiful it was1 The color easily mimicked the moss and leaves you might see along the side of a little river or brook somewhere in the mountains. Turning to the book, one of the first patterns I marked was the one I knew was perfect for this design and this yarn. Riverton is intended to mimic flowing water and the stellina really adds to this affect beautifully by looking like sparkling water. The marriage of yarn and design were perfect to me. I hope others like it too! 

5) Do you do other fiber crafts?

Oddly enough, not really. Knitting  and designing is where its at for me! I have done some bead work in the past but thats about it. 

6) What lead you to start designing?

My mother had the complete set of Barbara Walkers "Treasury of Knitting Patterns” and I remember going thru the first one  completely wide eyed and in complete awe shortly after I started knitting. I remember saying to my Mom…”you mean you can put this…with this…and this…and design your own piece?” And she looked at me and said “absolutely! You can do whatever you want with them!” The first book in that series sparked something in me. The book is blue and has an AMAZING pattern on the front cover. I’ll never forget that feeling of realizing I could literally do whatever I wanted with design. 

Fast forward a couple years to 2011. After a few years of knitting and posting pictures of finished objects on Facebook I was approached by a friend of mine I went to HS who wanted me to knit a shawl for her and was more than willing to pay a good price for my work. I had been toying around with the idea of starting to design my own patterns but just hadn’t done anything about it yet. My friend Tameron wanted an intricate lace shawl. I  knew  I could not rightfully take someone else's pattern, knit it up and then turn around and charge my friend hundreds of dollars for this as it is against most designers copyright to do so. I took the opportunity to design something for her, and for me, for the first time. For this first design, I looked back on the moment I discovered Barbara Walkers "Treasury of Knitting Patterns.” Especially that first book. As sort of ode to Barbara Walker in thanks of what I now knew I could do, I choose the patterns on the cover of the first book to be my first major design element. Little did I know then that this pattern would be, and still is to date, the most difficult pattern in my collection. Knit in 100% cashmere, I used the frost flowers pattern as the body of the shawl, then added long side edges and a knitted on border and she was done. I was beyond proud of this design. I wanted to thank my friend for kick starting me into design so I named the shawl after her. This is Tameron, my very first design from 2011...

Tameron, First Design by Claudia Donnelly

7) Who are your favorite designers? Who inspires you? (designers can be knit designers or fashion designers)

My favorite designers tend to be ones who do completely different stuff than I do. Especially garments. I don’t knit garments, except for babies and children, and I certainly don’t design garments! Some of my favorite garment designers are Joji Locatelli, Laura Nelkin, Taiga Hilliard, Carina Spencer, Veera Valimaki, and Thea Coleman. For shawls I really admire Josh Ryks-Robinsky (Geoknittrix designs), Anne Podlesak, Andrea Mowry, Stephen West, and Kay The Arky Designs (Kay Smith…and yes I know she’s my mother) but she and these others I’ve listed do very different things than what I do and I truly admire that. Josh Ryks-Robinsky’s sense of color and texture are really fantastic. I want to knit his entire collection. I can’t imagine how he comes up with his designs! 

Color and yarn are HUGE inspirations for me. I’ve had my head in so many design books that when I see color and different yarns I tend to look at them and think..well, this pattern or that pattern would go SO well with this yarn. But I also love nature and the elements that you can find there too. There are so many things that inspire me from color, to yarn, nature and even emotion!

8) Cats or Dogs?

I have one cat, a rescue, named Audrey Grace. She is a long haired tuxedo girl and is an only cat as she doesn’t get along well with other animals. She was adopted out from the Humane Society twice and returned both times because she was adopted into a situation with other animals. She most definitely needs to be the only princess of the house. And she is! She is absolutely spoiled rotten. But the love she gives us in return is ten fold. She isn’t just a pet, she is a family member. She is a person in a little furry suit. When she sits, she does so with her paws crossed. She is treated like royalty and acts like it in return! 

Audrey Grace, Princess of the Donnelly Estate

9) Coffee or tea?

I LOVE tea but I tend to drink more coffee. If I’m not feeling well or just really want the feeling of coziness, I will make a pot of tea. We have a lovely tea house here in Albuquerque that I LOVE to go to; the St. James Tearoom. Most of my recent love affairs with tea are as a result of the time spent at the St. James having formal tea. 

10) Cake or pie?

Both. I do not discriminate. I love cake as much as I do the pastry of pie! 

11) Tell us about your favorite yarn shop?

I tend to not discriminate here either. I love ALL yarn shops. But probably my favorite yarn shop is Yarn & Coffee in Santa Fe, NM. Certainly since our home yarn shop, Village Wools, closed a couple years ago after almost 45 years in business. For that homey and neighborhood feeling now, we get that at Yarn & Coffee. You can check them out at yarnandcoffee.com Deborah Grossman, the owner, has such a wonderful selection of anything and everything a crafter could possibly want or need for their crafting needs. From an amazing selection of popular and local yarns, to unique craft bags from www.blueq.com There is plenty of room to sit down on either of her sofas or chairs in the knitting nook as well. Deborah is very knowledgable when it comes to the industry and her shop. She serves coffee and tea up as well, making whatever you are doing at her shop a super cozy experience. She has always been so supportive of my work and has hosted several trunk shows for me, the latest of which was just this past weekend with the release of Riverton. If you’re ever in the area I highly recommend stopping by. There is a special front area which is AWESOME and perfect for trunk shows for designers or yarn dyers! There is plenty of room to set up shop and stay a while! Contact Deborah if this interests you!

Here is a pic of my knitting tattoo. Because knitting and designing is a huge part of who I am and what I do, I had to have it tattooed on me. I have many others on my arms now but my knitting tattoo was the first. In it are the Brittany needles I used in my first knitting project, and red yarn. My favorite color! The wrist says knit and purl depending on how you are looking at it. There are pictures showing each perspective. 

"Knit" Tattoo, Claudia Donnelly

"Purl" Tattoo, Claudia Donnelly

We certainly enjoyed our time with Claudia, and hope that you did, too! Please check out her blog at claudiadonnellydesigns.blogspot.com or you can find her on Ravelry as mrsdonnelly